Following on from the previous post, here are the films which played alongside ‘Emmi’ in the Fiction Part 2 session at The Cardiff Mini Film Festival. Please note that any opinions expressed are based off my initial impressions during the screening itself.
01. The Picture on the Fridge
Longing to reconnect with his deceased mother, Ilan mysteriously jumps into a photograph that soon forces him to choose between his past and his reality. This all ends up a bit like Inception with photos levels rather than dream levels. The special effects are fun, even if they aren’t entirely convincing. This doesn’t matter being as the human story is what draws you in to Dekel Aizen’s film. I particularly enjoyed the film’s observation of technology evolving over different generations (analogue vs digital), a nice film to start with.
02. Ghosts of Burgundy Grove
Based on a true story: Maggie discusses her future with George and worries that they have very little time together left. George however is not willing to discuss the future. There is a rumbling to suggest something is clearly wrong right from the very opening of Ciaran J. Hodgman’s film. Every time the seemingly distant Maggie takes another sip from her cup we see a startling flashback to an earlier point in their lives. Whilst the film wasn’t the most polished and the outcome predictable – it held my attention throughout. IMDB page here.
03. Me And My Thoughts
This fictional short film portrays a modern woman who masks her mental health problems whilst striving to look normal and fit in. Whilst I found the film’s subject matter worthy material, the repetitive OCD elements in the first half had a tendency to drag the film down. Things improve in the second half (once the central character’s monologues begin to subside and the drama plays out). If I recall correctly, the director Martin Devek also performed many of the other key roles making this film. He is talented and this is commendable but I can’t help but feel that the production would have benefited with an independent editor helping to simmer the story down to its essence. The main performance in this short film deserves to be singled out for praise (sadly I didn’t catch her name and can’t find it online).
04. Wet Dream
Stan is sick to the back teeth with the daily grind of his monotonous city lifestyle. Surreal daydreams punctuate his working week as he pines for the sea. One weekend on the rugged Cornish coast he has a magical encounter and an epic journey ensues… Apparently according to director Joel Duddell this includes “a magical adventure along the Cornish coast with the ghost of an 18th century smuggler”. I must have missed this bit and to be perfectly honest I didn’t really follow this seemingly experimental film. After an intriguing opening, I found myself getting a bit frustrated and was hoping it was the Goldfish dreaming rather than Stan! On the plus side the film sets a curious ambient tone and was good at conveying the mundane nature of day to day life. You can form your own opinions by watching the film here:
05. The Blind Man
A blind man wanders the street completely oblivious to all the disasters happening around him. This one was extremely daft in a fun way and wisely never overstayed its welcome (being only two and half minutes). I question whether the titular character is also deaf – but considering the completely random ending of the film – I’m definitely over analysing things!
This was another of the more experimental films on show. Despite enjoying a romantic moment, we can see the man starting to become troubled. The tone then shifts to what I remember thinking at the time was a surreal Dario Argento inspired nightmare. And sure enough this seemed exactly what director Guillermo González Lanchares was going for – we later learned that Pesadilla means nightmare in Spanish. To watch the full film, visit here.
07. The Consequence of Reliving
After discovering he has a special ability, a young man must make the most difficult decision of his life. This was one of my favourites of the session, well made, wonderful cast and some intriguing ideas. I don’t want to give too much more away about it, but if there is a fault with the film – it is that it tries to pack a few too many concepts in during it’s fairly brief 15 minutes run-time. This doesn’t make it any less captivating, so well done to director/writer Christien Bart-Gittens and co-director by Grace Smith.
Set in 1969, a Pirate Radio DJ seeks to defy the British Government by turning his radio station (located in international waters) into his own Kingdom. James Grimley’s film ultimately won an award for best Welsh Fiction Film at the festival and it’s not difficult to see why. From the technical viewpoint it is beautifully produced with wonderful production design and some nice performances (particular shout out to Scarlett Marshall as the feisty Layla). This was shot on Arri Alexa, so it clearly had a larger budget than most of the other films being show during this session. For the most part, this was an intriguing story but the message “a man’s home is his castle” does become a bit tedious after a bit (the subtext of “letting go” being a more interesting area to mine). I had to concur after some deliberation with other audience members that the ending needed to be a bit stronger, but this aside from this it was the most “polished” film of the session.
Gordon struggles to pick up the pieces of his life after the death of his husband Martin. The biggest obstacle in his healing: Martin’s dog Jerky, whom Gordon never appreciated. The film is a stark and intimate portrait of the grieving process. The pivotal moment comes when the dog chews through Martin’s towelling robe one day and it’s not clear whether things are going to end well or badly for poor Jerky. The story was excellent and I’d say that this was my favourite film of the session (ignoring any obvious bias we have for the next film). IMDB page here.
Last, but hopefully not least, we were on! Despite a reasonably small audience turn out (around 10 people), it was nice to learn that the audience (except for the Festival team, Susie and myself) were all genuine audience members rather than filmmakers coming to see their film (you can sense my conflict in writing that)! I was happy that the film worked from a technical viewpoint. The session host Matt let us chat a little about the film afterwards. Susie was approached by one of the audience members afterwards to say that the film had made her cry. This meant a tremendous deal to us, although I somewhat flippantly quipped that perhaps Jerky might have been a better film to end on.