Glory: James Horner (1953-2015)

Today started in an unusual manner. I woke on a normal school day and the children were already up and dressed (odd). Whilst making a cup of tea my wife told me to read the screen on her mobile phone. I read it, but it took a moment to fully digest: “Film Composer James Horner aged 61 dies in a plane crash”. I was quietly devastated.

The very first time I recall remembering his music was for the trailer of Backdraft back in 1991. I remember thinking “WOW”, that music has a real emotional punch to it.

When I watched the film I came away bitterly disappointed that this wonderful music was nowhere to be heard! What was this music? I needed to know and I discovered (long before the days of Google or Shazam) that it was James Horner and the piece was taken from the ending credits of Glory:

This is the piece I am going to remember James Horner for, it made me sit up and take notice (really at a point when I didn’t do this much). It feels more poignant today than ever.

James Horner (image by Getty)

It wasn’t long before I discoverd he had composed music to other film scores I loved – most notably Star Trek II: Wrath of Khan (I honestly thought it was Jerry Goldsmith), Aliens (I’ve lost track of the number of trailers which use Bishop’s Countdown in them), The Name of the Rose (I still find those bells creepy).

He would go on to win an Oscar for both his Titanic score and the song ‘My Heart will go on’. He was nominated for six other films. At the risk of being somewhat controversial – I didn’t rate Titanic as one of his better scores, but he did so many other memorable scores such as Apollo 13, Avatar, Braveheart, Casper and Field of Dreams – that there really is something for everyone.  The thing about James Horner for me was the way he could emotionally connect an audience to the scene in a beautiful yet bittersweet manner. Knowing we will never hear another of his majestic scores makes me feel a little emptier inside. RIP James Horner.

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